Ask Liu Cixin how to write science fiction and the answer keeps returning to one thing: the idea. If a concept doesn't excite him, he won't write it, and he assumes readers would feel the same boredom he does.
Let the Idea Lead
Liu's advice mirrors his own method. He starts with a speculative idea strong enough to move him, plans a story around that seed, and creates characters last, to serve the story. He has been blunt about the filter he uses before committing to anything.
Write only when I have a creative idea that makes me excited and demands to be written. If I can't even be excited by an idea, readers will surely be bored as well.
Liu Cixin, Nature Future Conditional Q&A, 2016
For Liu, science fiction is a literature of ideas, and the idea about science or technology sits at the core of the story. He has said this method inevitably produces books where the speculative concept drives everything and character comes second.
Read Widely, Think Hard
His other recurring piece of advice is about input. Liu has called reading widely the cornerstone of creation, and he treats the frontiers of science, especially physics concepts that break common sense, as raw material for stories. The point is to gather more than you need, then find the concept that resists prediction and build from there.
None of this happens fast. Liu is a deliberate thinker who lets ideas accumulate before he drafts, an approach shaped by years of writing around a full-time job. See the full Liu Cixin writing routine for how that played out in practice.
What You Can Steal
- Use the excitement test. If the idea doesn't move you, drop it.
- Idea first, characters last. Let the concept drive the story.
- Read past your field. Liu mines real science for his plots.
- Give ideas time to grow. The best ones rarely arrive finished.