Morrison spent decades as a novelist, a Random House editor, and a Princeton teacher, so she'd thought hard about how writing actually gets made. Her advice is blunt and practical. It also runs against a lot of what beginners are told.

The Direct Answer
Imagine past your own life, set the conditions that free you, and revise without flogging it.
Her clearest guidance came from teaching at Princeton and her 1993 Paris Review interview.

Forget Write What You Know

Morrison heard the classic advice and told her students to ignore it. Her reasoning was sharp. You don't know much yet, and she had no interest in hearing about their first loves and their parents. She wanted them to reach for lives nothing like their own. A Mexican waitress on the Rio Grande who can barely speak English. A grande dame in Paris. Imagine it, build it, inhabit it. Writing, to her, was an act of reach, not a diary.

Find the Conditions That Release You

Before she could write, she had to know what she needed in the room. She framed it as a set of questions worth asking yourself honestly.

What does the ideal room look like? Is there music? Is there silence? What do I need in order to release my imagination?

Toni Morrison, Paris Review, 1993

For her, the answer was pre-dawn quiet, coffee, and the light coming up. Yours might be different. The point is to figure it out on purpose instead of waiting to feel inspired.

Revise, But Know When to Stop

She revised relentlessly, sometimes a dozen times over, and she didn't see that as fixing mistakes. She saw it as cleaning the language, hitting a deeper tone, finding a truer color. She also warned about the opposite trap. There's a line between revising and fretting a passage to death. When you're just worrying at something because it isn't working, that's the signal to scrap it, not polish it harder. You can read more in the full Toni Morrison writing routine.

What You Can Steal