Journaling

Journaling for Writers: Things I've Noticed

Kia Orion | | 5 min read

A few things I've noticed about journaling as a writer.


The journal entry you write at 6 a.m. and the one you write at 11 p.m. come from two different people. Morning entries tend to plan. Night entries tend to confess. Most writers I know need both, but only do one.

Joan Didion wrote that we keep notebooks to remember "how it felt to me." Not what happened, how it felt. That distinction matters more than it looks like it should. I've gone back to old journal entries where I recorded entire days in detail and felt nothing, then found a half-sentence about the light in a stairwell that put me right back there.

Journaling for writers is weirdly hard to talk about because it sounds like advice your therapist gives you. But the function is different. You're not processing emotions, or not only that. You're training yourself to notice what you notice.

Virginia Woolf's diaries run to five published volumes. She wrote in them almost every day for decades. What surprises people is how much of it is petty, dull, contradictory. She complains about dinner parties. She's jealous of other writers. She changes her mind about her own books from one week to the next. The diaries aren't a record of genius. They're the compost that genius grew in.

Short entries work better than long ones. I don't know why this is true, but every time I commit to writing "at least a full page," I stop journaling within two weeks. When I let myself write three sentences and close the notebook, I keep going for months.

John Steinbeck kept a journal alongside East of Eden, writing in it every single working day, and a lot of those entries are just him warming up, complaining about his pencils, worrying he'd lost the thread. He published it later as Journal of a Novel. Reading it changed how I think about the relationship between the writing you show people and the writing that makes the showing possible.

There's a version of journaling advice that says you should write about your goals and visualize outcomes. I've tried it. It made me feel like I was filling out a form at the dentist's office.

The best journal entries I've ever written are the ones where I started with one thought and ended somewhere I didn't expect, where the writing itself was doing the thinking and I was just trying to keep up with it, which sounds mystical but really it's just what happens when you stay on the page long enough to get past the first obvious thing you were going to say.

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I'm not sure whether rereading old journals helps or hurts. Some writers swear by it. May Sarton's Journal of a Solitude reads like a writer in constant conversation with her past selves, drawing energy from the continuity. But when I reread mine, half the time I just cringe. Maybe that's useful too, I honestly don't know.

Sylvia Plath's journals contain some of the sharpest observational writing of the twentieth century, and most of it was never meant for anyone else. There's a lesson in that about audience. When you remove the reader entirely, something changes in the sentences. They get stranger, more precise.

Handwriting versus typing matters less than people insist it does. What matters is that the friction is low enough to actually do it.

Steinbeck, in one of those East of Eden journal entries, wrote: "In writing, habit seems to be a much stronger force than either willpower or inspiration." He was talking about the novel, but he could've been talking about the journal that kept the novel alive.

You'll abandon the habit several times. Probably more than several. The writers who get the most from journaling aren't the ones who never stop. They're the ones who keep starting again without making it a crisis.

Some days the journal is where the real writing happens and the "real writing" is just performance. You won't know which day is which until much later. Sometimes you never find out.

A journal is the only place where you can be a bad writer on purpose, where that's actually the point, where the worse you're willing to be the more useful the practice becomes.


All of this comes back to the same quiet thing: showing up to the page before you have something to say, and trusting that the saying will find you. That's what a daily writing practice is. The journal is just where most writers learn to do it.

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K

Kia Orion

Author of The Writer's Daily Practice, the #1 Bestselling book in Journal Writing and Writing Skills. He writes a free daily reflection for writers.

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